This page is about my sonic explorations. Too much noisy to be called music, too much landscape to be called soundscape, too much music performance to be called concert
I prepared an autonomously evolving sonic scenery, a granular synthesizer, disrupting samples and realtime recordings of the sonic environment of the exposition itself. Astri Terrestri has been presented at Palazzo Loredan, Venezia, during Venice Glass Week 2020.
We are on Bela Blog!
It’s great to see our work featured on Bela blog!
Many details about Stramare Sound Machines and other projects on Bela platform [ HERE ]
An embryonic new work : Tamburo Lunatico. It’s a Bela Mini [link] powered, Trill Craft [link] equipped and Pure Data [link] coded instrument, born to be played in a theatrical rendition of Il segreto del bosco vecchio by Dino Buzzati, and now becoming a standalone instrument with its own personality and repertoire.
Stramare Sound Machines
I am sincerely proud of what we finally presented in Stramare – Segusino (TV) last week end, after a few months of work and research. And when I say “we” I’m talking about Sergio Marchesini, Vilson Luari and me, as part of D20 Art Lab [link], for La Giusta Distanza Festival, directed by Mirko Artuso. https://d20artlab.com/portfolio/stramare-sound-machines/
I finally managed to compile for ZYNTHIAN [link] a synth coded with FAUST [link]. Not to forget how I did it, I thought it could be useful something like a memo. Not exactly a tutorial, since I think these kind of things could be of course done in a more correct way. Just a memo.
Here is the .pdf of ‘The tale of Faust and Zynthian’ [download pdf]